Tag Archives: interscope records

“They Can’t All Be Zingers” by Primus

Artist: Primus
Title: “They Can’t All Be Zingers”
Label: Interscope Records
Release Date: 10/17/2006
Genre: Progressive Funk Rock
Rating: 4/5

I never claimed to be someone who “got” or even understood what Primus was all about, but despite this the level of technical prowess and musical drive was all too apparent to me even as a quasi-fan. This strange little combo of musicians formed by Les Claypool were a band that was given a chance by Interscope Records’ Tom Whalley and his creative vision allowed the band to create their style as they were pretty much let loose to do as they would on an unsuspecting music buying public. It was a group that was up against the likes of Guns ‘N Roses and all the Seattle stuff that was a brewing at the time and with releases like “Sailing The Seas Of Cheese” and “Pork Soda” you could tell that Claypool was doing it with tongue firmly in cheek. Lyrically, they were quite absurd but musically it was sheer brilliance as Claypool laid down riffs on the bass that the most seasoned of Progressive and Experimental players would only hope to do night after night. “They Cant All Be Zingers” is a perfect way to enjoy some of their best material if you were an existing fan and it is also a great manner to find yourself educated on this very unique brand of music if you are among the unaware. The CD features music from across all the bands releases and features the talented technical wizardry of Claypool, Larry LaLonde (guitar) and Tim Alexander (drums).
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“With Teeth” by Nine Inch Nails

Artist: Nine Inch Nails
Release: With Teeth
Label: Interscope Records
Date: May 5. 2005
Genre: Industrial
Rating: 7.5

On With Teeth Trent Reznor drops most of the Sturm und Drang trappings of his previous forays through the industrial charnel house. By peering out from behind the Halloween mask, Trent comes to the realization that unadorned exploration of the human psyche is more horrifying than all the creaking doors, banging pots and video Gran Guignol that has come to be synonymous with Nine Inch Nails.

That most of With Teeth’s songs are more immediately accessible then much of NIN’s output does not mean they are any less tortured. In fact stripping away most of the aural mis en scene that has cluttered the NIN sonic landscape (as well as the instrumental passages of the last studio album, 1999’s The Fragile), allows a closer, scarier, look at these songs’ creator. So this time NIN bites NOT with the Hollywood makeup dentures of the latest teen scream film but the gnawing insecurities and psychoses with which everyday people eat themselves alive.
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