Tag Archives: evanescence

Revisiting “Metal Edge” Magazine: The CD Reviews – Part 4

These album overviews were originally written for Metal Edge Magazine when I was a contributor to their “Hear Us Out” CD reviews section back in 2006-2007. With the magazine wrapping up publication a few months ago, I decided to add them to the context of our PiercingMetal presentation. I felt that by doing this I would not only be raising the horns in remembrance of the magazine but would also be able to showcase just how different writing for a major publication was when it all came down to it. Since “Hear Us Out” notations were usually “100” words in length, these posts will feature several reviews each until we run out of them. The freelance writing tenure at Metal Edge Magazine was discussed on THIS LINK so please check that out when done. Here are the reviews, so “Hear Us Out”.

Die Verbannetn Kinder Evas: “Dusk And Void Became Alive” (Napalm Records)

Translated to “The Banished Children Of Eve”, the side project of Summoning’s Richard Lederer brings you into a world of sullen melancholy and heartfelt despair. It’s a deeply rooted in classical epic and showcases the beautiful voice of Christina Kroustali across the release. It’s not upbeat or fast in any sense but instead almost hauntingly romantic at time while leaving the listening with a slight sense of sadness. The Gothic scene would take well to this unique Darkwave group and fans of operatic voices will love this overall intelligent and passionate release. Approach this with an open mind.

Edenbridge: “The Grand Design” (Napalm Records)

Angelic Bombastic Rock was how I first heard Edenbridge described and it’s pretty close to the mark with the lovely Sabine Edelsbacher who’s melodic and soaring vocals quickly bring you into the bands world. Musically masterminded by Lanvall (guitar/keys) they are adept at quality sounding Hard Rock that is rich in sound but not over the top enough to lose you with super technical displays. It’s all about big vocals harmony and rich melodies that you find as soon as it begins. A surprise addition was the Sheena Easton track “For Your Eyes Only”, from the popular James Bond movie of the same name.
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Evanescence: Live Photos @ Hammerstein Ballroom (10/9/2006)

We caught the sold out show by Evanescence at the Hammerstein Ballroom and that show report was discussed HERE for those who didn’t see it yet. Now let’s check out the full gallery of concert photos that were snapped.

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Evanescence by Ken Pierce (2006)

evanescence, evanescence concert photos, amy lee, amy lee concert photos
Evanescence by Ken Pierce (2006)

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Evanescence @ Hammerstein Ballroom (10/9/2006)

Logo - Evanescence

Artist: Evanescence
Venue: Hammerstein Ballroom (New York, NY)
Opener: Revelation Theory
Date: 10/9/2006
Label: Wind-Up Records

Much to the delighted screams of thousands of fans the one and only Evanescence has returned to New York City for a sold out performance at The Hammerstein Ballroom. No, you are not misreading things as Evanescence was finally back and it was time for everyone to get a little Gothic. Judging by the attending audience this would be entirely possible this evening for everywhere you looked where younger versions of Amy Lee. Evanescence has a mixed audience in terms of age range and tonight it seemed as though a lot of parents were going to see what their kids listened to first hand by choosing not to wait outside but instead would try their hand inside the venue amidst the fans en masse. I think it is great when the folks make an effort to see what kind of music the kids listen to, whether they understand or like it or not. Opening the show was Revelation Theory who I walked in on the last song or three of. They were not doing much for me at that late stage but they did do an impressive rendition of “Hunger Strike” the popular tune by Temple Of The Dog.

evanescence, evanescence concert photos, amy lee, amy lee concert photos
Evanescence by Ken Pierce (2006)

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“The Open Door” by Evanescence

Artist: Evanescence
Title: “The Open Door”
Label: Wind-Up Records
Release Date: 10/3/2006
Genre: Gothic Rock
Rating: 4/5

Exploding on to the scene like a dynamo, Evanescence would find themselves a chart-topping artist with their major debut “Fallen”. It was an album that was that was loaded with powerful levels of alternative Hard Rock and would make singer Amy Lee a superstar. Turmoil of the time led to the split of band co-founder Ben Moody, who also was a large contributor in terms of the song-writing success they found. Going forward the question would be could Amy follow up the blockbuster record without his involvement. The answer would be yes she could, and on “The Open Door”, she adventures forward – extending the levels of emotion used in the content more than she ever did on her previous songs. The past couple of turbulent years in the band and singers life would lead to their documentation in song and that alone makes this purer in its essence and overall meaning as an album. The listener will find that the new recording leans a lot heavier on the Gothic side than “Fallen” had done and there are moments on the release that are quite heavy. It begins with “Sweet Sacrifice”, a track where Amy shows that the group has not lost any of their edge in the way they do things and instantly reminds the listener that they rock. Comparing tracks from the last release, this number could stand as the new albums “Bring Me To Life”. “Call Me When Your Sober” is perhaps the most important track to the singer as she sings of moving on from the demons that were the cause of her last relationships end. Her new song-writing partner would be Terry Balsamo, and together a new chapter is forged and is right on target. As a group, they have a lot to stand up against with their hit maker always looking at them, and they succeed in making the new album special with blends of the Classical on tracks such as “Lacrymosa”. As one of the better tracks, it makes use of strings and a dramatic choir that works quite well. The three year absence from a studio album seems to have worked out well for the group on “Lithium”, an important tune that advises choosing to feel as opposed to remaining numb from life’s trials. The digipak release includes great artwork and interior design and photos. It truly adds to the experience of enjoying the album.
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“Elektra: The Album” by Various Artists

Artist: Various Artists
Title: “Elektra” – The Album
Label: Wind-Up Records
Release Date: 2005
Genre: Alternative
Rating: 7/10

Continuing the trend they kicked off with their Daredevil soundtrack Wind-Up Records has given us the music from the movie “Elektra”. The best part about these compilations is that they often give the listener a good sampling of the labels Artist Roster. Many will remember that the soundtrack for “Daredevil” was one of the things that made Evanescence a household name a few short years ago with “Bring Me To Life”.
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