Bad Religion will bring their sound to life at the now refurbished Webster Hall.
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Announcing “Surf City Blitz” 2018
I received this notice yesterday and since I am heading out of town for a few days in a couple of hours, I programmed it to run on its own while I try to rest before the flight out of NYC. As you can see this is another music festival that takes place outside of the metro area in which we wander but it sure sounds interesting. Take a glance at the full press release down below.
The Press Release:
Surf City Blitz brings one of the greatest punk rock lineups in the history of Southern California—including some of the biggest bands to come out of Orange County—together with Roland Sands Presents The Moto Beach Classic’s world-class motorcycle racing, and more on Saturday, October 27 and Sunday, October 28 at the world famous Huntington State Beach as a part of the SeaLegs Live Event Series. This new weekend destination festival will feature an all-star lineup of punk rock legends performing on the shore of the Pacific Ocean in picturesque Orange County, California. With the support of California State Parks, this incredible event is sure to make a splash in its inaugural year.
The daily music lineup for Surf City Blitz is as follows (subject to change):
Saturday October 27: The Offspring, Pennywise, Suicidal Tendencies, FEAR, T.S.O.L., Snuff, Mad Caddies, Voodoo Glow Skulls and more
Sunday October 28: Social Distortion, Rancid, Bad Religion, Black Rebel Motorcycle Club, The Interrupters, The Wrecks, Aaron Lee Tasjan and more
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Bad Religion & Against Me @ Irving Plaza
“Punks Not Dead” [DVD] by Various Artists
Artist: Various Artists
Title: “Punks Not Dead”
Label: MVD Visual
Release Date: 8/17/2009
Genre: Punk Rock Documentary
Rating: 3.75/5
“Punks Not Dead” is an interesting documentary film that presents to the viewer what I felt was a great inside and historical look into the Punk Rock and Hardcore movement when it first started to pick up steam back in the mid 70’s. It succeeds in its quest to inform the home audience of today by blending interview footage from notable acts such as The Damned, The Ramones, Circle Jerks, The Subhumans along with many, many more and explains to you in their own words just how reviled and accepted the Punk Rock genre was in its infancy. The film wisely starts at the apparent beginnings of the whole movement and explains how the whole DIY principle worked out. If you don’t know what DIY is, you should know that it stands for “Do It Yourself” and how it is still a larger practice today when it comes to the underground scene of any music genre in addition to what now calls itself today’s Punk. When the term was new it referred to how the bands booked shows by using phony credit card numbers and shared public phones that they were able to use for free and how most bands sent out their music to the fans from their houses and often sought a place to crash from these same fans when they would be in their town. One of the key quotes gives kudos to how all of this networking, touring and building of a music scene was all being done without the support or even interest from major record companies. The experts in the Punk music realm discuss how like many things with an original small fan response or underground only following can get big and eventually reach the mainstream. Of course this happening sometimes generates the feeling in its original fans that it had sold out from the aesthetic that it once held and was no longer relevant. We see this all the time with the fans who stake claim on bands “first” and no longer liking them when the rest of the world jumps on board. Some bands that are cited as helping to push Punk into the mainstream are The Offspring, Green Day, Rancid and Pennywise. They even mention Nirvana and while the Grunge Rock band definitely sold millions of albums, I didn’t see them as a Punk act and wondered how they came to feel they applied to this situation. Quotes from founders of many of the original Punk Rock record companies are spoken to and they explain how almost every dollar earned was put right back into getting the next record out for the band that had earned the money or another worthy act. That’s a lot different from a label earning money on the Joe Blow New band and putting the money into Aerosmith that’s for sure.
Continue reading “Punks Not Dead” [DVD] by Various Artists