Tag Archives: amorphis

Amorphis Lines Out 2017 North American Return With Swallow The Sun

amorphis logo

The concert tour announcements never seem to stop do they? Oh I’m not complaining at all because there is nothing I like more than checking out a Metal show with some friends. With that being said, this recent announcement by the mighty Amorphis was welcome news. Add to this the inclusion of Swallow The Sun and I say “sign me up”. Check out the press release below and I’ll return with some thoughts at the close.

The Press Release:
The masters of melancholic progressive metal, AMORPHIS, will return to North America next March/April for a long overdue headlining tour. Support will come from fellow Fin’s and melodic doom/death merchants SWALLOW THE SUN. The band will also appear on select dates with thrash legends OVERKILL and Egyptian themed technical death metal champions NILE.

“It’s been a long time since we toured in North America and Canada,” comments guitarist Esa Holopainen. “To be honest, way too long and at some point we thought we might never be back. In show business, things are not that simple and no matter how much AMORPHIS would like to tour, or play shows in different territories, usually it just doesn’t make sense.
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Amorphis @ B.B. King Blues Club (9/29/2008)

Logo - Amorphis

Artist: Amorphis
Venue: B.B. King Blues Club (New York, NY)
Opener: Samael, Virgin Black
Date: 9/29/2008
Label: Nuclear Blast Records

If you live in a city like New York and are a big supporter of any genre’s music scene then you are truly a very lucky person because there is seldom a night where you find yourself with nothing to do or nothing to see – especially when it comes to live music. The city offers up countless bars, venues, and theatres where music across a wide-genre scope is delivered almost nightly and if you are thinking there is no downside to this, well there is when two major events are scheduled for the exact same night. For me, this particular show would conclude the “Finnish Invasion” that I spoke of in both my Apocalyptica and Sonata Arctica commentaries. Sadly, Nightwish had indeed cancelled their appearance based on the illness of singer Anette but we did get a killer set from Sonata. Tonight’s fun at B.B. King Blues Club would also find a killer show that featured Kataklysm, Keep Of Kalessin and Eluveitie going on at the same time over at the Blender Theater and this was really going to make the Metal heads choose because all of the bands combined had the same loyal fan base. For me the choice was simple and locked on Amorphis because the band has not been over here since early 2005 by my recollection and since that time have released two more albums. The show tonight would bring along label mates Samael and Virgin Black from Australia. Here is how the night went down if you had missed it.
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“Silent Waters” by Amorphis

Artist: Amorphis
Title: “Silent Waters”
Label: Nuclear Blast Records
Release Date: 9/11/2007
Genre: Progressive Dark Metal
Rating: 4.5/5

When Amorphis released “Eclipse” back in 2006 they pretty much silenced the pundits who had felt that the band was now over given that long time singer Pasi Koskinen had decided to move on. If they wisely remained on board and helped to spread the new gospel of Metal being preached by the band with singer Tomi Joutsen firmly in place, then the Metal community could continue to move forward in positive fashion and all would be as it should. This state of mind is important because with the bands newest release “Silent Waters”, the journey and tales that were begun on “Eclipse” continue on and grow darker with each step that is taken. The album tells the tale of the Kalevala hero Lemminkainen and the album is nothing less than stunning as it draws you in from the moment it begins with “Weaving The Incantation”. The great thing about the bands newest member Joutsen is that he is singing with both dark and clean vocals which in the end present an incredible dynamic in the material. The return to this aspect of singing was a good move based on this style not only being so prevalent in Metal today, but more so in the fact that Joutsen very simply excels at both of them and ups the bands game in terms of powerful delivery. As the album gets more underway with “The Servant” the listener is treated to a driving number that demonstrates there will be little time to rest with this one if it starts out this strong. The title track comes next and while heavy is a little more solemn in its tone as the hero of the recording sings of his lost son. “Towards And Against” keeps the momentum building and there is so much in the way of melody and vocal changes that one would think the band had a number of different vocalists as opposed to the one. The band has not lost their skillful ability at crafting a solid batch of tunes and if one pays close attention they will find how good all of the albums tracks work with each other. It’s no wonder they had been referred to as such an influence upon the Metal scene for such a long time.
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PiercingMetal’s “Best Of 2006”: The Music

Another exciting year in Metal music has gone by and as a member of the music press, I’m tasked with not only doing reviews here on the website but also in lining out what releases that I felt were the years very best. Initially, this post was going to feature the whole gamut of the years in terms of the music, the videos and the concerts but when my album list went on and on and on I decided to give it a post of its own to go easier on you. Let’s go.

The Best Albums Of 2006

Mercenary “The Hours That Remain” (Century Media Records): A great follow up to “11 Dreams”, this band shows that they are taking chances in Metal.

Mastodon “Blood Mountain” (Warner Brothers): Jazz Fusion Metal? I dunno, but the new Mastodon sure kicks your ass around the block.

Amorphis “Eclipse” (Nuclear Blast Records): Finnish boys return and do more good. Lots of feels on this one.

Scar Symmetry “Pitch Black Effects” (Nuclear Blast Records): Raging guitar solos, soaring clean vocals, brutal death metal growls-brilliant!

Lamb of God “Sacrament” (Epic Records): Their best yet. Future legends. The first four songs are instant classics and if you don’t find your fist in the air for this release you don’t have one. Go watch American Idol

Iron Maiden “A Matter of Life and Death” (EMI Music): Up the Irons, pure and simple. Some bad press from some people who don’t see the return to form. They are idiots.

I “Between Two Worlds” (Nuclear Blast Records): Great project from members of Immortal, Enslaved, and Gorgoroth.

Enslaved “RUUN” (Candlelight Records): The Black Metal titans get even more progressive and this is an incredible listen from start to finish

Satyricon “Now, Diabolical” (Century Media Records): More Metal needs to be like this. A resounding effort that lays waste to that which tries to come close.

Vanden Plas “Christ O” (InsideOut Music): Stunning operatic progressive metal. Their best yet! Especially the bonus track
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“Eclipse” by Amorphis

Artist: Amorphis
Title: “Eclipse”
Label: Nuclear Blast Records
Release Date: 3/21/2006
Genre: Progressive Hard Rock/Metal
Rating: 8.5/10

Following no set trend, Amorphis continues to morph musically and has given their fans “Eclipse”. It’s a great follow up to their last album “Far From The Sun”, which was received with mixed opinion by many due to its failure to follow a certain expectation the fans had. “Far From The Sun” was a drastic change in direction and there was no blazing Metal across the piece; instead, it was loaded with solid and Doom-laden riffs. It had a certain appeal and showed a level of growth based on their influential status as a band. Those that chose to pass on it missed out, as there were some great numbers on the record. With “Eclipse”, Amorphis have expanded the realms explored by this release and have given us an even wilder ride this time around. The band continues to progress into a level of psychedelic Metal, it would seem, with some trippy riffs and solid keyboard work. There is also a return to the heavier aspect as singer Tomi Joutsen sings not only in a melodic clean style, but delivers levels of darkness by mixing Black growls in as well. I think Joutsen has turned out to be a smart choice as replacement for singer Pasi Koskinen; and this could not have been easy, for not only was he in the band for nine years, but also had a strong fan following. The rest of the band remains the same with Esa Holopainen (guitar), Tomi Koivusaari (guitar), Santeri Kallio (keyboards), Niclas Etelävuori (bass), and Jan Rechberger (drums). The group plays some great music and it’s diverse enough to extend the band’s reach ever further.
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