“7: The Best Of Stryper” by Stryper

Artist: Stryper
Title: “7: The Best Of Stryper”
Label: Hollywood Records
Release Date: 3/25/2003
Genre: Heavy Metal
Rating: 10/10

A few months ago I had the chance to see Stryper at one of their Reunion shows when they came to New York. Since I was already a fan, I expected to enjoy myself. Given the fact that this was among the first shows the band had done in 12 years I expected the show to be full of the songs that made them popular. You see, around the time of the Reunion plans, a CD came out entitled “Stryper: 7 – The Best Of”. I was very impressed by this release. Now that I have a copy, I can spend a little time on it on behalf of the Metal Circus.
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“Modus Vivendi” by Tad Morose

Artist: Tad Morose
Title: “Modus Vivendi”
Label: Century Media Records
Release Date: 2/2004
Genre: Power Metal
Rating: 9/10

Every now and again you find a group that you miss somehow. One such group that I had never heard of was Tad Morose from Sweden. The band was making an appearance with EdGuy in NYC on their way to the ProgPowerUSA Fest. After listening to the CD “Modus Vivendi” and also catching a live set I can only say one thing about these makers of molten metal……FANTASTIC!!! From start to finish this CD is an awesome piece of work. I enjoyed track after track from this Swedish Quintet and here are some highlights about it.
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KISS Nation @ Tribeca Rock Club (7/26/2003)

Logo - KISS Nation

Artist: KISSNation
Venue: Tribeca Rock Club (New York, NY)
Date: 7/26/2003
Label: Independent Tribute Artist

Although this particular concert had taken place a few months before I would become one of those online scribes that inform the world about music happenings on this side of the world, I wanted to share it with people because it was a pretty solid warm up to the whole idea when it came down to it. To those friends in the real world, my love for all things KISS is not something new and given the many interesting tributes to their musical body of work I decided to check out one of the more prominent ones to see what they were all about with some friends. The band was called KISSNation and I had met a few of their number at a book signing that Gene Simmons was doing not too long ago. They were walking around and dressed to the nines in character. The faux Gene stalked the avenue and flashed the occasional tongue while the drummer was decked out in his Eric Carr best. I liked that since it was much more different than those bands that only feature Peter. Their gig this evening would be at the Tribeca Rock Club, and while I thought I had seen some local friends perform at the space, I was not 100% certain.
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Slipknot @ Continental Airlines Arena (3/5/2005)

Artist: Slipknot
Venue: Continental Airlines Arena, NJ
Opener: Gizmachi, Shadows Fall, Lamb Of God
Label: Roadrunner Records
Date: 3-6-2005

The Slipknot show at Continental Airlines Arena would prove to start with both an interesting as well as annnoying twist. Of the four bands performing, Gizmachi was set to kick it off and the tickets showed a start of 7:00 pm. On walking in at exactly that time we were told by ushers that Gizmachi had played three songs about 30 minutes ago. It is not fair to the audience who pays for the ticket or the band who expects a decent crowd to be there for a show such as this. Instead people were probably wondering why Gizmachi shirts were on sale since they had missed them and were unaware they even played. This band in particular is a discovery of the “Clown” member of Slipknot, so you would think the venue would allot some accommodation. I imagine it beneficial to generate a buzz in a new CD that is coming out. This cant help it at all.

It was also interesting to look around the venue and find it not overly crowded. Given Slipknots overall appeal to the metal fans, and then combine that with the chance to see Shadows Fall and Lamb Of God on the same bill this was odd. Looking inside the venue to the top section, one could see a black curtain draped around the entire structure. This means that not one seat was sold for the entire area. Now that’s a lot of empty seats and it would have seemed bad had it not be covered up. Also random scatters of empty sections which did not fill even at Slipknots time were very visible. I am not sure how or why this is the case, but we made the best of it and still rocked hard. Further investigation had me finding this was considered a scaled-down event, but I still felt Slipknot has the notoriety to fill this venue.
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Where Heavy Music & Pop Culture Collide


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